In his soliloquy at the end of Act I, Scene 3, Iago decides to use Cassio to hurt Othello. In Othello’s eyes, Iago seems to be a very honest and trustworthy person. Othello's Soliloquy Analysis. Iago speaks bluntly, disparaging women, and Desdemona, along with everyone else, makes allowances for the rough speech of "honest" Iago. Iago batters Roderigo with the sheer volume of his abuse until the weak gentleman agrees to do as he is told in the plot to disgrace Cassio. Are you sure you want to remove #bookConfirmation# That is, women are models of propriety when they go out, sweet conversationalists with guests, and angry spitfires to their servants. . Iago seems to be presented as a Machiavellian villain; he is cunning and always seems to know what’s going to happen. Iago’s second soliloquy is very revealing. For balance, Emilia gives a cynical woman's view of men in Act V. Iago meanwhile watches Cassio, seeking a weakness that he can exploit. Iago is going to entreat Desdemona to appeal to Othello on Cassio's behalf. The two pass the time, waiting for news, and Iago watches, planning to catch Cassio in his own courtesies. Iago. Furthermore, Roderigo is already drunk, and Iago has gotten three proud Cypriots drunk, too. Note Iago switches from the cynically playful tone of the rhymed couplet in the colloquy to the serious prose in the aside. The details are not yet clear, but Iago plans to drive Othello mad. At first he sees his seduction of Desdemona as his revenge: "Till I am evened with him, wife for wife" (280). Then in his second soliloquy at the end of act 2, scene 1, Iago reiterates and once again says that Othello slept with his wife, the only difference is that now he thinks Cassio has slept with his wife too because he believes that Cassio is a "proper man" and a playboy. In Iago’s soliloquy at the end of Act 1 Scene3, he says of Roderigo “thus do I ever make my fool my purse”. It is weakness of his that he allows hatred to consume him in this way, using it as a driving force behind his action. This conveys Iago’s character as superior and manipulative. The second 'light' is Desdemona's life, which he also intends to extinguish. Othello, he reiterates, “hath leaped into (his) seat” (II.i.293), sexually speaking. Cassio, as mentioned in Iago’s soliloquy, is a well mannered and handsome man, who would be the perfect man to cause jealousy and suspicion to any husband. Iago's second soliloquy is very revealing. Act II and all subsequent acts take place in Cyprus, in the Venetian fortifications. CliffsNotes study guides are written by real teachers and professors, so no matter what you're studying, CliffsNotes can ease your homework headaches and help you score high on exams. Then Iago realizes that the unsubstantiated jealousy that torments him is the very weapon he can use against Othello, who will be even more susceptible. Iago states that Roderigo is a “fool”; a stupid moron. This is seen in Iago’s folloqing quote, “He hath a person and a smooth dispose To be suspected, framed to make a woman false.” humane seeming (241) courteous appearance. Iago examines his own thoughts, especially his hatred for Othello: “The Moor, howbeit that I endure him not” He is also suffering from the “poisonous mineral” of jealousy that still swirls around the rumour that Othello … 680 Words3 Pages. white (133) a pun on "wight," [Archaic] a person. Othello begins on a street in Venice, in the midst of an argument between Roderigo and Iago. The prose also contrasts with Iago's scene-closing soliloquy (2.1.267–93), where the constrained verse follows his precise, if delusional, reasoning. Love Desdemona, and the others go into the fortress book # from your List. # from your Reading List will also remove any bookmarked pages associated with this title switches the! 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